Featured ArtistFeaturesPhotographyVol 2 Issue 2

Visual Aids Artists: featuring Aaron Kissman, Shan Kelley, and Benjamin Fredrickson

Visual AIDS is the only contemporary arts organization fully committed to HIV prevention and AIDS awareness through producing and presenting visual art projects, while assisting artists living with HIV/AIDS. We are committed to preserving and honoring the work of artists with HIV/AIDS and the artistic contributions of the AIDS movement. We embrace diversity and difference in our staff, leadership, artists and audiences.

In the fight against AIDS, we believe:

  • Effective AIDS advocacy seeks to address the underlying and related issues that contribute to and exacerbate the pandemic, such as poverty, homophobia and racism.
  • Our work affirms the visibility, dignity and rights of people living with HIV and AIDS.
  • HIV/AIDS prevention is about harm reduction that is guided by science, not ideology.
  • We draw from the deep history of art activism, as with our Red Ribbon Project and Day With(out) Art.
  • Visual AIDS promotes art that is public, inclusive and accessible.
  • Art that takes risks promotes and encourages reflection, dialogue and action.

Art is our weapon of choice.

Visual AIDS enables public dialogue and scholarship around AIDS and contemporary art with exhibitions, public events and publications. Each year we produce and distribute thousands of free, AIDS awareness, artist editions through our Broadsides project. Visual AIDS has successfully produced a variety of open call exhibitions, catalogs and printed matter. Year-round we collaborate with teachers and students to facilitate research and special projects.

The Frank Moore Archive Project is both a service to HIV+ artists and a public resource. We use the Archive Project to teach about AIDS art activism and the lasting importance of HIV-positive visual artists. Our rotating, guest-curated web galleries reach 30,000 people each month. For the artists and estates in the Archive Project, we arrange documentation of work, provide grants, and redistribute art supplies. Since its founding in 1994, the Archive has welcomed any and all professional visual artists living with HIV and the estates of artists who have died of AIDS.

 Check them out online HERE.



Fleetweek, Aaron Kissman, 2010



Together Forever, Shan Kelley, 2012